Barbwire by Barbano

MapesXecution: the slivered legacy of lesser royalty

Some good stuff about Charlie Mapes and a little about the Money Tree casino. Yes, I knew him. Didn't like him.

Measuring Up

A note; Al Solari was determined to get every bit of benefit from his panel plant, the old aircraft hanger, and so every building project we had under contract was examined to see if we could use pre-fabrication in the construction of it. Invariably, it was determined that we could and we would. In the case of the Money Tree, there were no drawings made for panelizing. No engineers looked at it. I was simply told to go to the project and design it myself. A few weeks previous, I was a sheetrocker and now I was a structural engineer? OK.

As the weather changed and became more spring-like, I began to plan for the pre-fabricated panels that were going to be placed on the new Money Tree casino. This meant that I had to climb all over the structural framework of the emerging structure, placing me in a working relationship with ‘ironworkers’, a trade group that I knew little of. I soon knew them all quite well.

A little bit of info about Reno in those days, the 70’s and 80’s; Unlike Los Angeles, you would almost always work with the same tradesmen on each and every job. Within a few years I knew every ironworker, electrician, plumber, ‘tin knocker’ and laborer in town. Worked with them on every project. So you learned very quickly that it made sense to be helpful to one another. We looked out for each other, where in Los Angeles it was exactly the opposite. It was very refreshing!

So there I was, climbing up onto the steel structure and measuring for the panels to be built. And designing the structural attachments as I went. And after a week of measuring, by myself… Mr. Solari didn’t believe in unnecessary labor costs, I was back at the plant and building the panels. By myself.

Some Money Tree memorabilia

Springtime at the Comstock

As I said, the Comstock was the first of many hotel casinos to be built that spring and Solari had the fireproofing, lath and plaster, drywall and painting contracts for 99% of these projects. And this meant that I wasn’t going to be able to hide any more. Art now knew that I read plans and he knew that I had been a foreman and a superintendent before. Like it or not, I was going to be given a project to run.

But first I was going to be given a short lesson on panel building. Solari had secured the contract for the exterior panels on the new 24 story Circus Circus hotel and casino. These were similar to the panels that were being installed on the MGM hotel, except for the fact that these were made with a new synthetic and lightweight plaster/Styrofoam combination called Dryvit.

The foreman (Phil) for the Circus Circus project was already busy building these panels at the Solari panel factory; an old and very large aircraft hanger from Stead Air Force Base. It had been dismantled and moved into Reno, where it had been rebuilt as a cabinet shop and then, later, purchased at foreclosure by Mr. Solari. (Did I mention that Al Solari was the chairman of the board of the bank?)

My assignment was to work at the panel plant and then take Phil’s place when the time came for him to leave and install the many panels he had built for the project.

Then, once the Money Tree Casino structure came ‘out of the ground’ I was to begin the building of panels for that project; my project. Fun times ahead!

The Comstock

Winter (1977) settled in and I was still driving to Reno each day and working on various small jobs; usually with Carl as my partner. I would often see him early in the morning as he and Leroy would be getting on the freeway at Hallelujah Junction, on their way into town from Loyalton.

Every once in awhile we would be sent over to the MGM to spend a few days hanging drywall in the tower. And it was in the tower that I first saw the prefabricated exterior panels being used to clad the structure. These were made from structural steel studs (16 gauge and heavier) and covered with lath and plaster on their exterior side. Pierce Lath and Plaster was the contractor and I knew of them from my days in Los Angeles. They had also been a major player in the drywall industry.

Pierce was using portable hoists to haul the panels up the side of the building and then prying and clamping the panels into place and welding them to the edge via structural angles. The hoists, which were very heavy, would be rolled into position on the floor above the location for the panel and then counterweights were added to keep the hoist on the floor. A stabilizer bar was also used to pin the hoist in place while lifting the heavy panels. It was fascinating to watch the ‘dinosaurs’ at work. That was the slang name for the hoists and they did resemble some ancient beasts.

And on another note… one day, as was standing by the man hoist on the ground, I was spotted by Rick Thompson. He had just started to work that day. We talked for awhile and he explained that business had been slow in Bishop and he had heard about the work at the MGM. He was also looking for someplace new to live. Bishop was getting too big! I told him all about where we lived (Janesville) and told him I would bring him a copy of the local newspaper so he could look at the real estate ads.

Rick, if you remember, was from Los Angeles originally and I knew him from there. He had also been my ex-partner’s partner in the contracting business. The same one I had just left. Small world.

When spring came, most of the casinos in town, plus some new ones, had big plans for expansion. The opening of the MGM would occur soon and they all wanted a part of the tourist dollars that would flood the town with the opening of this huge casino.

Of course Solari wanted this expansion work and they set out to estimate and secure all of the work they could. The first one; the Comstock hotel and Casino.

This is the job that changed my career path. The job was being run by Donny; one of Art’s favorite foreman. That didn’t mean he was actually good at what he did, he was simply a favorite. I was sent out to the Comstock to begin dropping hanger wires in the steel deck. You would have to read the blueprints and determine where the ceilings were on the floor below the deck. Then you would mark the deck for a pattern of holes to be punched and wires dropped through them. The wires had a pigtail on them and that would be captured in the concrete when they poured the deck. So you were always working one floor above where the ceilings would be and that required some skill in reading plans. Standing on a shiny steel deck with no ‘landmarks’ around you… no walls, was a good exercise for your brain.

Donny’s crew (and I) had gathered on the deck, ready to begin and Donny asked, “Does anyone know how to read plans?” No one raised their hands. Finally, I did. Donny wasted no time at all, shoving the drawings into my arms and telling everyone to follow me. Oops! I was in charge. Something I did… and didn’t want to do.

I learned later that Donny didn’t know how to read plans at all.

Experience

After a few months of working on nothing but small jobs, there came a day when Art could find nothing for Carl and I to do, so he sent us over to the MGM for a week or two, telling us that he would call for us as soon as there was some of our kind of work.

We parked in the huge parking lot and made our way into the casino, looking for a foreman named ‘Trini’. Trinidad Guerra. A very large and loud foreman. Of course we found him easily; we simply listened for him. After the usual introductions, he put us to work in the big showroom on the first floor. It was all pretty simple stuff and Carl and I were soon doing as much or more than the rest of the crew.

At break time I got a chance to meet a lot of the Solari regulars; those who had always worked for them. And I got a chance to learn more about the company.

C. Solari and Sons, Inc. (Established 1918) was named for Camille Solari, an Italian immigrant who had founded the company as a painting contractor. He had also bought a lot of property in Northern Nevada and his sons had continued that tradition; painting and acquiring.

I remembered that when we had come to Reno in 1967 to build the Broadway store, we had some difficulty finding an apartment to rent and one of our crew suggested that we contact Mr. Solari (Al) as he had plenty of rentals available. He owned over 5,000 apartments and houses to be exact. He found one for us immediately. That had been over ten years ago and now I was working for the same Mr. Solari.

Al Solari was also the Chairman of the Board of First National Bank in Reno. When it came to ‘movers and shakers’ in Nevada, he was one of the biggest.

Back to work…

After a few weeks in the showroom we were moved to the tower for awhile. I certainly knew my way around; after all, I had framed most of it while working for Oahu Interiors. So it was noted by the foreman and reported to Art, that I had some talent. Then I was called to Art’s office one day and he closed the door. He wanted to know what kind of experience I had. I told him. And when I mentioned the fact that I had been a superintendent for Pacific States Plastering, he interrupted me to say, “Don’t think you’re going to get my job!” and he was quite serious about it, glaring at me.

Of course I told him that I wasn’t interested in his job and much preferred working with Carl on any small jobs he might have for us.

And that was what I did for the next few months. Art kept me away from any jobs where I might be called upon for a leadership role. Life was good!Just add the old MGM logo to the ends of the towers in this photo and you have a picture of the hotel in the late 70's... I'm not sure who owns it now.

A Day in Reno

Every once in awhile I will forget which blog I’m posting to and then I have to try and unscramble the results. I see that I have posted the one below this to the wrong blog. Should have gone on Projections. But I’m leaving it…

Anyway, back to my story…

I had just met Art, my new boss and he was going to send me out on a job. And he told me that he would be sending me to small projects at first; nothing major until he knew more about me. I was on trial again.

Art introduced me to Carl Scatena, who was going to be my partner (and judge) for the day. Carl was from Loyalton, California, a small town north of Reno. We already had something in common. We were both from small California towns and earning our livings in Nevada.

I grabbed my tools and followed Carl to some small job; maybe it was an office remodel? Or a patch in a ceiling in some factory? I don’t even remember all of the places we worked for the first few months of my career with C. Solari and Sons. Every morning would find me driving in from Janesville and meeting with Carl and Art, at the office, to see where we would go that day. No job lasted more than a day or two. It was always interesting and I didn’t miss the excitement (and the boredom) of working on a high rise hotel, like the MGM Grand.

Solari’s office was only a few blocks from the MGM and Solari had already started working a crew on the tower portion as well as the casino levels. The foremen for that project would be in Art’s office each morning, making their plans, while Carl and I waited outside for our daily instructions.

(As it turned out, working with Carl produced some of the best working days in my career. Great times!)

A little something about Solari; when I was still working in Los Angeles and working for Modern Drywall Systems, we had secured two out of town Broadway store projects. One was in Sacramento and the other, a twin, was in Reno. And the drywall contractor for the base store project was C. Solari and Sons. We did what were called the fixturing walls and worked directly for Broadway or the store fixture companies. So, I already had a small, indirect, relationship with them and knew something about the history of the company. More about that later.